Since objects are independent of one another, fades, effects, and routing can be done on a per-object basis. This allows for great flexibility and the ability to make small changes to small sections of your track.Īdditional features for mastering include MP3/AAC previewing, POW-r Dither, DDP import and export, and spectral editing. The inclusion of MP3/AAC previewing allows you to hear how your master(s) will sound once encoded into the MP3 or AAC file type. The spectral editing abilities in Sequoia come with useful features like switchable display type (linear or logarithmic) and threshold range editing.Īdjustments can be made to hear how your track will hold up against different requirements such as Mastered for iTunes. Spectral editing in mastering can be great for cleaning up unwanted noise across small or large spans of time. Magix has improved their spectral editing abilities over time using features from their restoration software Spectralayers to add to the abilities of Sequoia over time. If your project workflow requires the most advanced toolset with access to useful features like codec previewing, batch processing, and advanced spectral editing, Sequoia is a great choice. WaveLab ProĪ 64-bit audio engine that supports 32-bit audio with sample rates up to 384 kHz, makes WaveLab Pro a go-to for high fidelity. Steinberg’s contribution to digital audio editing goes back to its creation in 1984 with MIDI editing apps built for Commodore 64 computers. 1989 brought about Cubase which has been adored by many engineers working in tracking, production, and mixing. Their development of VST plugin standards and ASIO drivers took their influence even further into the music industry. When people think Steinberg, they often do not think about WaveLab first. WaveLab, like many mastering DAWs, is a very specialized program that uses an interface unlike most other software. Its feature set is built around mastering, but also includes tools that make it useful for journalists doing audio interviews, post-production houses, and restoration. WaveLab features a 64-bit audio engine that supports 32-bit audio with sample rates up to 384 kHz. This makes WaveLab a great option for those after the most precise, high-quality products. Pair this with an extensive set of analysis tools and you will be sure that your audio is exactly how you need it to be every time. The spectral editing function in WaveLab has been redesigned for version 9.5 and features a new viewing mode called Wavelet Display. This mode allows for a more accurate display of your audio through pitch scaling. Wavelet Display shows more frequencies in the low end of your audio and more time in the high end to bolster your confidence in making edits across these areas. Steinberg even took it upon themselves to add inpainting technology to their spectrum editor. You could always get DSP-Quattro, a powerful and inexpensive mastering application that looks a lot like Logic 9 these days.This technology allows WaveLab to replace noise in your tracks with relevant frequencies by analyzing audio before and after the region you are editing. Unless it's a matter of wanting something shiny and new, (who doesn't?), Logic 9.1.8 and WB are a great combo. Waveburner is still working in OSX 10.8.3. "It's still your most essential instrument in Logic, and with Apple's acquisition of editing-software developer Redmatica last year, substantial enhancements to the Logic sample player are probably ahead."Īn author of Logic books stated at another forum recently, something to the effect of there being no violation of the NDA to say that development is ongoing. In the March 2013 SOS Logic Tips and Techniques column about the ESX 24, Dot Bustelo make this statement: It seems to be a matter of no one knowing what and when, rather than if at all. Well, L9.1.8 (the current version) is several revisions beyond 9.1.2
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